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Worthwhile Sounds Presents: Ryan Montbleau w/ Cris Jacobs – [soul / folk rock / r&b]
April 22 @ 8:00 pm
WHEN: Saturday April 22, 2017
DOORS: 7pm | SHOW: 8pm
GENRE: soul / folk rock / r&b
AGES: all ages
SEATING: seated general admission
TICKETS: $15 adv. / $18 d.o.s. / $23 VIP (guaranteed seating in 1st three rows!)
Ryan Montbleau has been an acclaimed singer, songwriter, and bandleader for more than a decade, but with his new album I Was Just Leaving the New England-based artist has truly arrived. Contemplative and richly emotive, the album offers a glimpse into the often-lonesome life of the relentlessly traveling troubadour, a strikingly single-minded existence too often clouded by the blur of constant motion. Recorded at New Orleans’ Esplanade Studios over four days in January 2016 with producer Anders Osborne and engineer/mixer Mark Howard (known for his work with such icons as Bob Dylan, Tom Waits, Neil Young, and U2), the album marks Montbleau’s first full length release in the wake of a series of seismic personal shifts. Songs like “Bright Side” and the touching title track reveal a uniquely blessed artist who has truly found his voice, his gift for melody and a remarkably open-armed approach.
“There’s no part of this record that I am unsure of,” Montbleau says. “All the juice of the last fifteen years is in there. My humanity and my heart are on this record.”
Montbleau has been among America’s finest songwriters and performers, earning national attention and a fervent fan following with songs like “75 and Sunny” and his breakthrough cover of Tracy Chapman’s “Fast Car,” the latter a Spotify smash with total streams now in excess of 14 million.
After twelve years on the road Montbleau found himself at a crossroads in 2016. “Within a very short time, my world got flipped around. My partner was gone, my band of ten years was gone, my friends were all far away. The one thing I had was a career, because it turns out that was all I had worked on. When the dust settled, I realized I didn’t really have much of a home life.”
“I thought all along that I had been building a home but it turned out I was just leaving. That’s where the title of the song and the record came from. So many raw feelings were just aching through me at that point. Eventually they vibrated out through the guitar, through singing. I had to sing these songs.”
An artist’s artist, Montbleau has collaborated with such diverse performers as Martin Sexton, Trombone Shorty, and Galactic. His association with Anders Osborne extends back to 2012 when the New Orleans-based singer/songwriter/guitarist played on Ryan’s Ben Ellman-produced FOR HIGHER alongside such fellow Big Easy icons as Ivan Neville and The Meters’ George Porter, Jr. Two years later, Anders and Ryan reconnected on the road backstage at a festival. The seeds were planted for a collaboration.
Montbleau’s guitar playing and vocals are both front and center on I Was Just Leaving, with Osborne accompanying on drums, percussion, bass, guitar, and harmonica, each used simply and sparsely for maximum effect. Osborne and Howard built upon that same goal, creating space and capturing rawness by utilizing as many early takes as possible.
“Bright Side,” the album’s first single, is perhaps the song most emblematic of Montbleau’s growth as both a human being and artist. At once finely etched and strikingly direct, “Bright Side” is an ideal distillation of his approach to songwriting, balancing multiple shades of emotional nuance with a fearless, unfettered sentimentality that ultimately leads to a greater truth.
I Was Just Leaving marks a singular milestone for Ryan Montbleau, the moment in which this exceptional singer, songwriter, and performer has blossomed into a fully matured artist.
“I’ve been planting these seeds for so long and it has all led up to this moment. It feels like finally the fruits of all my efforts are coming out. I’m still working hard but there’s an ease to what’s happening. I have a career that I’ve built, that I’ve earned. Now what’s fun is putting out the best music I can and seeing what happens.”
Whether alone with just the guitar and his voice or surrounded by a full band, Cris Jacobs enchants listeners with his inspired, poignant songwriting, virtuous guitar playing, and soulfully transcendent voice. Artists across the board have discovered Jacobs’ musicianship and supple versatility, resulting in an impressive variety of formats in which he has played over the last few years. After a decade, five records, and 200 shows a year as principal songwriter and frontman for beloved Baltimore-based band The Bridge from 2001-2011, Jacobs wasted no time continuing to write music of his own and exploring different configurations for his craft. He released his debut solo album, Songs for Cats and Dogs, in 2012, and continued to perform relentlessly, both with his new band and as a solo artist. In doing so, he quickly garnered the admiration of a variety of predecessors and peers: rock legend Steve Winwood saw Jacobs perform in 2014 and soon invited him to open his national tour. The following year, Sturgill Simpson extended the same invitation. Never limited by genre, Jacobs and New Orleans heavyweight Ivan Neville recorded a collaborative album under the band name “Neville Jacobs”, which will be released in 2017. As an adapting, evolving, versatile musician who has survived on his own merit, Jacobs continues to win over audiences of many tastes, as he brings his characteristic authenticity and soul to every set.
Jacobs feels there are common threads across many genres of music, and he has harnessed over a decade of trans-genre exploration on his second solo album, Dust to Gold, released in 2016, from American Showplace Music. The album is a soul-stirring expression of the current chapter of his creative evolution, featuring twelve well-crafted songs that masterfully weave through the sweet and rugged landscape of soul, country, folk, blues, gospel, and rock and roll. Through every turn, one can easily feel Jacobs’ reverence to his influences, but the result is an original, eclectic record with a sound that is authentically his. In a given moment, Jacobs’ guitar playing is gritty, soulful, rich, and lyrical. It’s subtle, yet adventurous. His voice is at once sweet and sultry, with a honeyed whiskey croon that delivers his thoughtful, expressive lyrics.